I return to Doors music infrequently. Now and then, however, it's just the thing, like a welcome cold pizza. A combination of factors converged with the Doors that still convey a satisfying 60s flavor that I must imbibe, say, every eight months or so. The same applies to Peter Sellers. I must mainline a Peter Sellers movie into my veins, no matter how dubious, at least once a year or I will wither.
So last night I watched the expanded 2 DVD set of Oliver Stone's "The Doors". I've seen the film before and was mostly ambivalent, yet appreciative of how challenging it must be to make a film reenacting a celebrated rock band and not slip off a completely maudlin cliff.
Watching "The Doors" again, this time shirtless and with headphones for full effect, I had an epiphany. I had anticipated a drama but It's really a very comedic film played totally deadpan. There are many moments in the film where Oliver Stone so completely massages his own obsessive love convulsion of the mythic aspect of Morrison and the Doors that absurdity quickly overtakes credibility. It's a film that subverts itself while it tries to subvert, whether by accident or not that makes it a comedy in my book. I really don't have to give examples because it's basically all throughout the whole movie.
Someone might argue, how could you make the film worth watching without indulging in Doors-ey stylistic license? I'd say that's fine to do but just don't make it so retarded!
Val Kilmer was pretty good, actually. Almost as good as his portrayal of that OTHER rock icon Nick Rivers in "Top Secret" -a comedy played so deadpan, you'd think it was a drama.